{"id":23406,"date":"2021-02-24T15:08:01","date_gmt":"2021-02-24T14:08:01","guid":{"rendered":"https:\/\/charleroi-pourlapalestine.be\/?p=23406"},"modified":"2021-02-24T15:38:49","modified_gmt":"2021-02-24T14:38:49","slug":"entre-le-paradis-et-la-terre-un-film-de-najwa-najjar","status":"publish","type":"post","link":"https:\/\/charleroi-pourlapalestine.be\/index.php\/2021\/02\/24\/entre-le-paradis-et-la-terre-un-film-de-najwa-najjar\/","title":{"rendered":"\u00ab\u00a0Entre le paradis et la terre\u00a0\u00bb<\/em> : un film de Najwa Najjar"},"content":{"rendered":"

Dans son troisi\u00e8me opus, \u00ab Between Heaven and Earth \u00bb<\/em><\/strong>, la sc\u00e9nariste et r\u00e9alisatrice palestinienne Najwa Najjar<\/strong> ausculte le drame palestinien \u00e0 travers une histoire d\u2019amour sur le divorce. Mais au-del\u00e0 du sentiment amoureux, ce road movie all\u00e9gorique sublime l\u2019amour de la terre.<\/p>\n

\"Une

Une sc\u00e8ne de \u00ab Between Heaven and Earth \u00bb de Najwa Najjar.<\/p><\/div>\n

Colette Khalaf<\/strong>,<\/a> le 24 f\u00e9vrier 2021<\/p>\n

\u00ab J\u2019aime l\u2019amour, dit-elle sans h\u00e9siter. Je voulais donc raconter une histoire d\u2019amour. Mais comment la raconter dans un pays sous occupation avec un couple issu de milieux diff\u00e9rents, de parties d\u00e9membr\u00e9es de la Palestine ? \u00bb,<\/p><\/blockquote>\n

d\u00e9clare d\u2019embl\u00e9e Najwa Najjar<\/strong> dans un entretien avec L\u2019Orient-Le Jour<\/em> autour de son nouveau long-m\u00e9trage Between Heaven and Earth<\/em> (Entre le paradis et la terre<\/em>). La sc\u00e9nariste et r\u00e9alisatrice palestinienne, qui vit la fracture de son pays comme une plaie au c\u0153ur, va mettre alors en sc\u00e8ne un road movie qui m\u00e8ne un couple \u2013 parti dans les Territoires occup\u00e9s<\/strong> pour faire leurs papiers de divorce \u2013 \u00e0 red\u00e9couvrir leur terre ainsi qu\u2019\u00e0 se d\u00e9couvrir eux-m\u00eames.<\/p>\n

Najwa Najjar,<\/strong> qui a fait ses \u00e9tudes de cin\u00e9ma aux \u00c9tats-Unis<\/strong>, s\u2019est rendu compte que l\u2019histoire racont\u00e9e en Occident dans les livres n\u2019est pas identique \u00e0 celle transmise par ses parents et ses grands-parents.<\/p>\n

\u00ab C\u2019est le cin\u00e9ma qui m\u2019a aid\u00e9e \u00e0 rectifier le narratif de la r\u00e9gion afin que la v\u00e9rit\u00e9 ne soit pas tronqu\u00e9e ni d\u00e9figur\u00e9e. Car c\u2019est le seul medium qui peut tout corriger. \u00bb<\/p><\/blockquote>\n

Menac\u00e9e depuis des ann\u00e9es pour diff\u00e9rentes raisons (religion, culture, classe sociale), la battante, et malgr\u00e9 la mal\u00e9diction qui s\u2019abat sur ce morceau de terre, sur la r\u00e9gion tout enti\u00e8re, ne perd pas espoir.<\/p>\n

\u00ab Ce film m\u2019a appris \u00e0 mieux conna\u00eetre les gens de Nazareth, ceux <\/strong>\u201cde l\u2019ann\u00e9e 48<\/strong>\u201d<\/em>, qui n\u2019ont pas quitt\u00e9, mais qui ont \u00e9t\u00e9 trait\u00e9s de tra\u00eetres parce qu\u2019ils sont rest\u00e9s sous l\u2019occupation. Je me suis rendu compte que le peuple palestinien tout entier \u00e9tait en divorce avec son identit\u00e9, avec lui-m\u00eame, avec l\u2019autre. On est tous loin les uns des autres. Par cette s\u00e9paration de deux personnes que je relate et qui va nous pousser \u00e0 chercher dans le pass\u00e9 et \u00e0 y trouver des secrets enfouis, j\u2019aborde tous les probl\u00e8mes de la r\u00e9gion sinistr\u00e9e du Moyen-Orient. Ce qui m\u2019importe, c\u2019est le Liban, <\/strong>la Palestine, <\/strong>la Syrie <\/strong>et l\u2019\u00c9gypte. \u00bb<\/strong><\/p><\/blockquote>\n

La cin\u00e9aste embarque le spectateur dans cette voiture conduite par le couple. Elle l\u2019emm\u00e8ne dans ce road movie \u00e0 la rencontre de personnes de diverses religions et de divers statuts. Ils racontent leurs histoires et comme les pi\u00e8ces d\u2019un puzzle elles forment une image compr\u00e9hensible.<\/p>\n

\u00ab Ces belles personnes dessinent le paysage de cette r\u00e9gion meurtrie. Autant les Arabes qui ont envie d\u2019\u00e9corcher leur peau d\u2019arabe pour ne plus parler que l\u2019h\u00e9breu, que les juifs pi\u00e9tin\u00e9s, eux aussi, d\u2019une mani\u00e8re ou d\u2019une autre par le sionisme. Ces hommes et femmes qui habitent cette belle terre sacr\u00e9e sont tous et toutes des victimes \u00bb,<\/p><\/blockquote>\n

affirme Najjar.<\/strong><\/p>\n

\"\"

Mona Hawa et Firas Nassar, un couple en qu\u00eate d\u2019identit\u00e9.<\/p><\/div>\n

Sur les pas des gardiens d\u2019Iqrit<\/h3>\n

Quel a \u00e9t\u00e9 le point de d\u00e9part de ce road movie all\u00e9gorique ?<\/p>\n

\u00ab Toute l\u2019id\u00e9e, indique Najwa Najjar<\/strong>, a commenc\u00e9 par le village d\u2019Iqrit.<\/strong> J\u2019\u00e9tais dans un restaurant de falafel \u00e0 Ha\u00effa<\/strong> et le propri\u00e9taire m\u2019a parl\u00e9 de son fils qui refusait, \u00e0 son grand dam, une bourse d\u2019\u00e9tudes \u00e0 Londres parce qu\u2019il \u00e9tait un des gardiens d\u2019Iqrit.<\/strong> Je me suis sentie frustr\u00e9e de ne pas conna\u00eetre cette r\u00e9gion et de ne pas comprendre ce que c\u2019\u00e9tait. Apr\u00e8s avoir effectu\u00e9 des recherches, elle d\u00e9couvre ce village chr\u00e9tien aux fronti\u00e8res du Liban<\/strong>, d\u00e9truit par les Isra\u00e9liens. \u00bb<\/p>\n

\u00ab Il n\u2019existait m\u00eame pas sur Google Map, pr\u00e9cise-t-elle. INakba<\/a><\/strong>, un site cr\u00e9\u00e9 par les Palestiniens, parle de ces villages qu\u2019ils ont r\u00e9ussi \u00e0 sauvegarder bien qu\u2019ils aient \u00e9t\u00e9 d\u00e9molis par les Isra\u00e9liens. \u00bb<\/p><\/blockquote>\n

La r\u00e9alisatrice est donc all\u00e9e \u00e0 la rencontre d\u2019Iqrit<\/strong>, et a vu ces jeunes n\u00e9s en 1990 qui sont rest\u00e9s dans le village et dont ils sont les gardiens.<\/p>\n

\u00ab Cette terre, ils ne peuvent pas la quitter, pas m\u00eame un seul jour, sinon les colons se l\u2019approprient. J\u2019ai alors compris le vrai sens de l\u2019amour de la terre. \u00bb<\/p><\/blockquote>\n

Elle a \u00e9galement appris le vrai sens du divorce.<\/p>\n

\u00ab Le divorce, c\u2019est quand on ne sait plus rien de l\u2019autre et c\u2019est le cas de cette terre d\u00e9membr\u00e9e… \u00bb<\/em><\/p>\n

Et d\u2019ajouter : \u00ab \u00c0 travers cette histoire, je voulais donner de l\u2019espoir \u00e0 ces jeunes g\u00e9n\u00e9rations. \u00bb<\/em><\/p>\n

\"\"

Najwa Najjar : \u00ab C\u2019est un film d\u2019amour sur le divorce. \u00bb Photos DR<\/p><\/div>\n

Le film se trouve au final port\u00e9 par une \u00e9quipe d\u2019acteurs et d\u2019actrices dont la plupart assurent pour la premi\u00e8re fois un r\u00f4le au cin\u00e9ma. La musique, alternative ou populaire, y occupe \u00e9galement une place de choix. \u00c0 travers les voix de femmes, Natacha Atlas, Souad Massi <\/strong>et Tania Saleh<\/strong>, la r\u00e9alisatrice fait la connexion avec le monde arabe.<\/p>\n

Ce troisi\u00e8me long-m\u00e9trage de Najwa Najjar<\/strong> qui a re\u00e7u, entre autres nominations, le prestigieux prix Naguib Mahfouz<\/strong> pour le meilleur sc\u00e9nario au festival du Caire<\/strong> est \u2013 sans \u00eatre lacrymal \u2013 une ode \u00e0 l\u2019amour de la terre, teint\u00e9e de tendresse, d\u2019ouverture d\u2019esprit et d\u2019\u00e9quit\u00e9.<\/p>\n

\u00c0 signaler que son pr\u00e9c\u00e9dent, Eyes of a Thief,<\/strong><\/em> a \u00e9t\u00e9 le candidat palestinien pour les Oscars en 2015.<\/p>\n

\n

Publi\u00e9 le 24 f\u00e9vrier 2021 sur L’Orient-Le Jour<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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