{"id":2894,"date":"2020-01-07T10:45:59","date_gmt":"2020-01-07T09:45:59","guid":{"rendered":"https:\/\/charleroi-pourlapalestine.be\/?p=2894"},"modified":"2023-07-17T13:22:33","modified_gmt":"2023-07-17T11:22:33","slug":"poemes-sur-la-nakba","status":"publish","type":"post","link":"https:\/\/charleroi-pourlapalestine.be\/index.php\/2020\/01\/07\/poemes-sur-la-nakba\/","title":{"rendered":"Apr\u00e8s Auschwitz : Po\u00e8mes \u00e9crit par Charles Ducal apr\u00e8s l\u2019offensive militaire isra\u00e9lienne contre Gaza en 2009"},"content":{"rendered":"

 <\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/h3>\n

Charles Ducal<\/h3>\n

\u00ab\u00a0Car je livrerai entre vos mains les habitants du pays, et tu les chasseras devant toi\u00a0\u00bb (Exode, 23.31)<\/em><\/p>\n

Tel-Aviv 1948 \u2013 2008<\/strong><\/p>\n

L\u2019 ablation de la m\u00e9moire
\nse fait avec un couteau de f\u00eate.
\nEnsuite, pans\u00e9e de proverbes,
\nla t\u00eate est plac\u00e9e sur la table,<\/p>\n

odeur doucereuse dans un bourdonnement
\nde tchatche et de questions embarrassantes.
\nLa t\u00eate n\u2019a pas de r\u00e9ponse, elle dit
\nce qui est juste, vu les histoires<\/p>\n

ensevelies sous vingt si\u00e8cles.
\nIl ne s\u2019agit que de les d\u00e9terrer,
\nleur vitalit\u00e9 colle exactement \u00e0 l\u2019endroit.
\nCe qui s\u2019y trouvait a \u00e9t\u00e9 karcheris\u00e9<\/p>\n

hors de la langue, qui est propre et nette.
\nA-t-on un jour chass\u00e9 des gens,
\nici, o\u00f9 le bonheur tombe du ciel ?
\nC\u2019est l\u2019heure, maintenant, l\u2019heure de la f\u00eate.<\/p>\n

Les moustiques bourdonnent, mais<\/p>\n

qu\u2019importe.<\/p>\n

Nakba<\/strong><\/p>\n

En une quelconque ann\u00e9e
\ndans un village quelconque
\nappara\u00eet, une nuit, la violence.<\/p>\n

Elle vient de la main de Dieu lui-m\u00eame,
\nelle pulv\u00e9rise et chasse.
\nUne promesse qui s\u2019accomplit.<\/p>\n

On pose des mines dans les d\u00e9combres\u2026
\npour ne pas que, l\u00e0, les chiens\u2026
\nPuis l\u2019action de gr\u00e2ce.<\/p>\n

Et, ainsi, quatre cents fois.<\/p>\n

Puis vient la v\u00e9rit\u00e9
\net elle vient se poser juste l\u00e0
\nentre le village et le campement.<\/p>\n

Elle se tient l\u00e0 \u00e0 la bonne distance,
\npas un r\u00e9fugi\u00e9 ne va plus loin.<\/p>\n

Dans la nouvelle \u00e9cole,
\non chante et on danse.<\/p>\n

Sous les regards fiers des papas,
\nle fusil \u00e0 la main.<\/p>\n

 <\/p>\n

Un po\u00e8te \u00e0 Sderot* ?<\/strong><\/p>\n

La po\u00e9sie n\u2019est pas coupable des mots
\nque l\u2019on tend comme des barbel\u00e9s.
\nCes mots servent la s\u00e9curit\u00e9, le contr\u00f4le.
\nIls s\u2019ajustent au signifi\u00e9 issu<\/p>\n

de la fronti\u00e8re n\u00e9e entre nous
\net l\u2019ext\u00e9rieur. Une b\u00eate se faufile
\nen notre sommeil comme un mulot en nos jardins,
\nen qu\u00eate de mots qui n\u2019existent plus.<\/p>\n

Abu Shusha, Najd, Balad al-Shaykh,
\nLubya, Kirbat Al-Shuna, Wa\u2019rat al-Sarris.<\/p>\n

Il ne peut alors \u00eatre ma\u00eetris\u00e9 dans cette langue
\no\u00f9 il est enferm\u00e9 comme un danger
\nqu\u2019il faut exhaler par tous ses pores.<\/p>\n

La po\u00e9sie est l\u00e0 tout pr\u00e8s, poussant un peu le trait
\net traduisant \u00e0 nouveau l\u2019animal en homme.<\/p>\n

(*) avant : Najd<\/em><\/p>\n

 <\/p>\n

Paire de lunettes<\/strong><\/p>\n

Ici aussi, la v\u00e9rit\u00e9 est au milieu.
\nComme toujours. Oui, comme toujours.
\nAutant de tort exactement pour celui qui attaque
\nque pour celui qui se d\u00e9fend. Celui qui<\/p>\n

franchit la fronti\u00e8re voit parfois une diff\u00e9rence
\net pense : un peu moins, quand m\u00eame, mais il voit alors
\nquelqu\u2019un balancer une pierre de l\u2019autre c\u00f4t\u00e9
\net, l\u00e0 aussi, un enfant pleure.<\/p>\n

Loin de la v\u00e9rit\u00e9 gisent les lunettes
\nd\u2019un visage martel\u00e9 et mis en pi\u00e8ces.
\nCe qu\u2019elles voyaient s\u2019est comme an\u00e9anti
\nen un trou, une page blanche, un cha\u00eenon manquant.<\/p>\n

Loin de la v\u00e9rit\u00e9 ne coule pas d\u2019encre.<\/p>\n

 <\/p>\n

Apr\u00e8s Auschwitz 1<\/strong><\/p>\n

Quand j\u2019ai appris que la maison o\u00f9 j\u2019habitais
\navait \u00e9t\u00e9 vol\u00e9e, j\u2019ai demand\u00e9 aux autorit\u00e9s qui
\nen \u00e9tait le propri\u00e9taire. On m\u2019a dit : tu as la t\u00eate pleine de cendre,
\ntu es faible encore, tu n\u2019as pas id\u00e9e de la lutte.<\/p>\n

Quand j\u2019ai appris que le propri\u00e9taire \u00e9tait en vie
\net qu\u2019il avait la clef dans sa veste, j\u2019ai renvoy\u00e9
\nle serrurier. Il est all\u00e9 trouver les autorit\u00e9s.
\nEnsuite, on a adapt\u00e9 la serrure.<\/p>\n

Parfois, les jours o\u00f9 tout le monde priait et comm\u00e9morait,
\nles compagnons d\u2019infortune s\u2019agitaient en mon esprit.
\nSous la cendre couvait, faible encore, une intuition.
\nMais le propri\u00e9taire n\u2019est pas venu. Lentement, il a disparu.<\/p>\n

 <\/p>\n

Apr\u00e8s Auschwitz 2<\/strong><\/p>\n

Auschwitz aussi \u00e9tait d\u2019une normalit\u00e9 mortelle, bien s\u00fbr.
\nCeux qui ont surv\u00e9cu sont venus dans ce village,
\nun peu m\u00e9pris\u00e9s, mais utilisables,
\net ils ont re\u00e7u un monument pour extraire<\/p>\n

de l\u2019histoire le transport vers les camps
\net en faire la pierre \u00e0 aiguiser d\u2019un peuple.
\nCe fut la pire atrocit\u00e9 de tous les temps, bien s\u00fbr,
\nmais, de la sorte, exclusivement, la propri\u00e9t\u00e9<\/p>\n

de la souffrance fut mu\u00e9e en propri\u00e9t\u00e9 du sol.
\nQui habitait dans cette rue, dans cette maison ?
\nQui puisait de l\u2019eau \u00e0 cette source ?
\nQui sur ce march\u00e9 d\u00e9ballait sa marchandise ?<\/p>\n

Qui doute qu\u2019Auschwitz ait vraiment exist\u00e9 ?<\/p>\n

\n

Po\u00e8mes \u00e9crit par Charles Ducal apr\u00e8s l\u2019offensive militaire isra\u00e9lienne contre Gaza en 2009.<\/strong><\/p>\n

Traduction : Jean-Marie Fl\u00e9mal, Charleroi pour la Palestine<\/p>\n

Source<\/strong> : \u00ab Gaza. Geschiedenis van de Palestijnse tragedie<\/a> \u00bb<\/em>
\nLucas Catherine & Charles Ducal. (Editions EPO, 2009)<\/p>\n

\"Charles

Charles Ducal<\/p><\/div>\n

Charles Ducal<\/strong> est un po\u00e8te flamand. Il a  \u00e9crit plusieurs recueils de po\u00e8mes, dont  \u00ab In inkt gewassen \u00bb<\/em> qui a \u00e9t\u00e9 couronn\u00e9 par le prix Herman de Coninck en 2007. Co-auteur du livre \u00ab Rendez-vous \u00e0 Bagdad \u00bb<\/em>, publi\u00e9 chez EPO en 1994<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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